{"title":"Books\/Music","description":"","products":[{"product_id":"shame-space","title":"Shame Space","description":"\u003cp\u003eDiaries of an avatar: a Bible-style artist’s book of writings by Martine Syms\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eA new artist’s book by California-based artist Martine Syms (born 1988), Shame Space explores the possibilities of narrative and identity, collecting journal writings by the artist from 2015 to 2017 in which she attempts to capture her shadow self, alongside image stills from the video project Ugly Plymouths. The text entries form the voiceover of Mythiccbeing (pronounced “my thick being’), a “black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme” digital avatar who has iterated across several of Syms’ recent exhibitions. In Syms’ installations, Mythiccbeing manifests variously in video, audio and as an interactive chatbot that responds to the viewer’s communications with messages and animations. In Shame Space, the character’s autofictional, diaristic commentary is gathered into 15 chapters. Its design updates the Bible format with its A5 size, embossed leather-textured cover and silver edge painting. 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MORPH-FUCKING the INTRADISTINCTION between VISUAL and the LINGUISTIC as both FAUX-READYMADE\/COMMODITY and also ADDED performative and critical EXPLORATION of the possibilities of self-institutionalisation and the FICTIONING of the artwork as social interstice. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Artist's note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith texts by: Kristen Alvanson, Stuart Bailey, Stephen Barber, Mark \u0026amp; Steve Beasley, Karla Black, Marianna Botey, Jesse Bransford \u0026amp; Casey Mckinney, Charles Bronson, Paul Buck, David Burrows \u0026amp; Simon O'sullivan, Bonnie Camplin, Lisa Castagner, Ccru\/Orphan Drift, Dennis Cooper, Michael Corris, Esther Planas, Karen Cunningham, Kim Coleman \u0026amp; Jenny Hogarth, Michael Cross\/ M Satai, John Cussans, Enrico David, Anthony Davies, Lorenzo De Los Angeles Iii, Madeline Djerjian, Peter Donaldson, Ross Downes, Electric Six, Patricia Ellis, John Espinosa, Dick Evans, Keith Farquhar, Dan Fox, Luca Frei, Barnaby Furnas \u0026amp; Ivette Zieghelboim, Tony Garifalakis, Babak Ghazi, Ilana Halperin, Mark Harris, Iain Hetherington, Damien Hirst, Klara Hobza, Stewart Home, Rachel Howe, Mark Hulson, Andy Hunt, Andrew Hughes, Gareth Jones, Kevin Killian, Kool Keith, Steve Klee, The Knockouts, Pete Lewis, Cedar Lewisohn, Fiona Lumbers, Patricia Macormack, Andrea Mason, Natt Mellors, Anna Mitchell, N.R.K Mohammad\/ Sos Newsrod\/ Dan Thurwen, Gean Moreno, Hv Morton, Donal Mosher, Neil Mulholland, Patrick Mullins, Yuki Muruyama, Reza Negarestani, No Bra, Paul Noble, Bernard Noel, David Osbaldeston\/Joe Devlin, Arthur Ou, Mike Pare, Chloe Piene, Esther Planas, Elizabeth Price, Adam Putnam, Harry Pye, Hillary Raphael, The Rebel, Steve Rushton\/Hubert Czerepok, Amelia Saul\/Jo-Ey Tang, Kenji Siratori, Craig Slee, Alison Smith, Emma Stark, John Strutton, Francis Summers, Rebecca Taylor, Simon Thompson, Mark Tichner, Ian Titus, Dan Torop, Jeffrey Vallance, Harlan D Wilson, Benny Zadik.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by ARTicle Press, 2007. Softcover, \u003cmeta charset=\"utf-8\"\u003e928 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eIBSN: 1-873352-59-X\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Russell","offers":[{"title":"Default Title","offer_id":45425710924061,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/JOR_ETIII_Book.jpg?v=1689357005"},{"product_id":"frozen-tears-ii","title":"Frozen Tears II","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStaged as an expanded artwork, FROZEN TEARS (since 2003) is a MULTI-PART, MULTI-VENUE project built around the production of three 800+ page books each containing THEORY\/HORROR texts and images from a range of CELEBRATED international artists\/writers. MORPH-FUCKING the INTRADISTINCTION between VISUAL and the LINGUISTIC as both FAUX-READYMADE\/COMMODITY and also ADDED performative and critical EXPLORATION of the possibilities of self-institutionalisation and the FICTIONING of the artwork as social interstice. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Artist's note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith texts by: Kathy Acker, Mireille Andrès, Antonin Artaud, Dominique Auch, Ned Baldwin, Stephen Barber, Georges Bataille, Baudelaire, John Beagles, Mark Beasley, Dodie Bellamy, Alissa Bennett, Simon Bill, Jesse Bransford, R.A.Bransford Jr Esq, Paul Buck, Bonnie Camplin, Aline Bouvy\/John Gillis, Dennis Cooper, John Cussans, Trinie Dalton, Sue De Beer, Brock Enright, Felix Ensslin, Dan Fox, Robert Garnett, Paul Green, Matthew Greene, Fernando Guerreiro, Pierre Guyotat, Ilana Halperin, Glen Helfand, Jacques Henric, Rachel Howe, Ben Kaleb Brantley, Seth Kelly, Kevin Killian, Christopher Knowles, Jennifer Krasinski, Cedar Lewisohn, Lorenzo De Los Angeles Iii, Rachel Lowther, Dave Martin, Karl Marx, Casey Mckinney, Gean Moreno, J.P. Munro, Paulina Olowska, Simon O¹Sullivan, Arthur Ou, Damon Packard, Mike Paré, Graham Parker, Wotjek Puslowski, Adam Putnam, Ian Rafael Titus, Eugène Savitzkaya, Eric Schnell, Amy Sillman, Allison Smith, Joanne Tatham\/ Tom O'sullivan, Daniel Torop, Genya Turovsky, Banks Violette, Benjamin Weissman, Ivan Witenstein, and Thom Wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by ARTicle Press, 2004. Softcover, \u003cmeta charset=\"utf-8\"\u003e800 pages. 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MORPH-FUCKING the INTRADISTINCTION between VISUAL and the LINGUISTIC as both FAUX-READYMADE\/COMMODITY and also ADDED performative and critical EXPLORATION of the possibilities of self-institutionalisation and the FICTIONING of the artwork as social interstice. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Artist's note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith texts by: Art \u0026amp; Language, Fabienne Audéoud, Dave Beech, David Burrows, Ccru, Jake Chapman, John Cussans, Johnny Golding, Inventory, Martin Mcgeown, Lucy Mckenzie, Esther Planas, Graham Ramsay, John Russell, Clara Ursitti, Andrew Williamson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by ARTicle Press, 2003. Softcover, \u003cmeta charset=\"utf-8\"\u003e800 pages. 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It advises collectors, appraises antiques, bankrupts sponsors, gives out MAs in curatorial practice, commissions spiritual tracts, does expert restoration where apoc-damage is concerned, plans corporate events and retreats, disappears interns, holds alcohol support group sessions, funds Scottish nationalists, and produces bestiality instruction videos. It operates between a future set in 2078, and the present.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePublished by Song Cycle 2018. 10 ¼ × 6 ¾ inches, 12 pages, b\u0026amp;w with color plates and cover. 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Despite the generations that separate Murray and Reaves, this publication highlights each artist’s lyrical, playful and rigorous engagements with the decorative, domestic and bodily. Published to accompany an exhibition at the Contemporary Arts Museum Houston, Wild Life explores Murray and Reaves’ often ambiguous conceptions of the body and the home, wherein both body and home are continuously coming together and falling apart. This book features a newly commissioned conversation between Reaves and Johanna Fateman as well as a reprint of a historical interview between Murray and Kate Horsfield, which together chart the two artists’ irreverent plays with color and form, high and low cultural references, and notions of masculinity and femininity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePublished on the occasion of the exhibition: Wild Life: Elizabeth Murray \u0026amp; Jessi Reaves, Contemporary Arts Museum, Houston, Feb 24 - May 16, 2021. 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In his article “After Life” in the magazine BLAU International, Oliver Koerner von Gustorf says that Slagboom’s work is about “a crucial kind of care, about accompanying the dying, helping them to consciously experience all the phases of death, about transitioning into a new incarnation”. -Roos Gortzak \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePublished by Vleeshal in 2021 on the occasion of the eponymous exhibition at Vleeshal in 2019. With essays by Roos Gortzak, Julia Geerlings and Martha Kirszenbaum. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eISBN: 978-90-9035018-9\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pieter Slagboom","offers":[{"title":"Default Title","offer_id":45426394628381,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/PieterSlagboom__Book.jpg?v=1689369420"},{"product_id":"this-cookbook-is-made-for-the-5th-dimension","title":"This Cookbook is Made for the 5th Dimension","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Susan transforms white-walled gallery spaces into a place of warm home energy: she introduces you to her family and she arranges her work like a picnic. She gives you clothing for dressing up, and when she hangs her paintings on walls, they look less like a collection of finished, rarefied pictures than portals into their maker’s ongoing process. Seeing a show by Susan is like stepping into someone’s home for the first time, witnessing the intimate artifacts of a life as it is being lived. And yet Susan’s gestures are not entirely cozy. ‘Domestic’ is not the right word here, with its whiff of complacency. There’s something transgressive in the way Susan flagrantly disregards the boundary between home and art. It’s a simultaneously vulnerable and stoic attitude she maintains, revealing but never pandering. You feel this in the rawness of the work, its imperfect corners and relaxed seams. These are not just materials, of course, but artifacts from an entire system of art.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Excerpt from This Cookbook is Made For the 5th Dimension, introduction by Ross Simonini\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEssays from Susan Cianciolo, Ross Simonini, Ryan Noon, Morgan Ritter, Cassi Namoda, Samara Huggins, Peter Sonnenberg, Sebnem Akin Uyar, and Lilac Sky Cianciolo. Recipes throughout from friends and family. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e200 pages, 7.5 x 9.5 in (19 x 24 cm), hardbound, printed by Brown Printing, 2021, edition of 500, Out of print. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished on the occasion of the exhibition: Susan Cianciolo, PRAYER ROOM, HEALING STAtion, Lumber Room, Portland. July-September 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Susan Cianciolo","offers":[{"title":"Default Title","offer_id":45426537824541,"sku":"","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SC_Cookbook_Book.jpg?v=1689370299"},{"product_id":"i-love-you","title":"I Love You","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI Love Yo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eu presents Susan Cianciolo's diverse and multifaceted practice through photographs of her drawings, installations, workshops, and gatherings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhotography by Mary Manning. Made in Collaboration with Bridget Donahue. Release and signing at the New York Art Book Fair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e 60 Pages, no text, 6 x 8.8 in (16 x 22.5 cm), softcover. \u003cmeta charset=\"utf-8\"\u003ePublished by Nieves, Zurich, 2019.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e ISBN: 978-3-907179-13-0\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Susan Cianciolo","offers":[{"title":"Default Title","offer_id":45426641666333,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SC_Iloveyou_book.jpg?v=1689370993"},{"product_id":"run-book-4-8-edit","title":"Run Book 4-8: Edit","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by MoMA PS1, 2016. Paperback, 40 pages, 8.5 x 5.6 in (21.5 x 14 cm)\u003c\/span\u003e\u003c\/p\u003e","brand":"Susan Cianciolo","offers":[{"title":"Default Title","offer_id":45426660868381,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}]},{"product_id":"monotropa-uniflora-strike-a-match-to-hear-my-sound","title":"Monotropa Uniflora: Strike a Match to Hear My Sound","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalog for Iruka (née Cristina) Toro’s exhibition, Monotropa Uniflora: Strike a Match to Hear My Sound. The book is wrapped in a dust jacket which unfolds into a collage with an extended interview and contributions from Susan Cianciolo, Trinie Dalton, and Kiki Smith. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaCa Projects Press, Charlotte\/Buenos Aires. Design by CMD-Z. Printed 2018 by Ofset, Istanbul. Edition of 500. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN: 978-0-692-95395-2. \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Iruka Toro","offers":[{"title":"Default Title","offer_id":45426924323101,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SC_CristinaToro_Book.jpg?v=1689376578"},{"product_id":"sondra-perry-a-terrible-thing","title":"Sondra Perry: A Terrible Thing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book examines New York-based video and installation artist Sondra Perry’s multimedia investigation of architecture, labor and infrastructure at MOCA Cleveland, \u003c\/span\u003einspired in part by blacksmithing and chemical reactions between metal and human skin. These multimedia works create a history of Cleveland’s Euclid Avenue and the city’s uptown district.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePublished by HATJE CANTZ, 2022. Paperback, 9.25 x 11.25 in (23.5 x 28.5 cm), 120 pages.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9783775746366 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sondra Perry","offers":[{"title":"Default Title","offer_id":45432128897309,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SP_ATerribleThing_Book_1.jpg?v=1689440571"},{"product_id":"typhoon-coming-on","title":"Typhoon Coming On","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eSondra Perry (born 1986) creates narratives that explore the imagining or imaging of blackness throughout history. Often drawing on her own life as a point of departure, she makes works that revolve around black American experiences and the ways in which technology and identities are entangled. Her use of digital tools and platforms such as Chroma key blue screens, 3D avatars, open source software and footage found online, reflects critically on representation itself. Perry's investigations demonstrate that digital technology functions as an attribute of power. As the artist says, \"I'm interested in how blackness is a technology, changing and adapting, through the constant surveillance and oppression of black folks across the diaspora since the 1600s. Unmediated seeing isn't a thing.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eWith contributions by Manuel Arturo Abreu, Elizabeth Alexander, Hannah Black, Simone Browne, Aria Dean, Robert Jones, Nora Khan, Natasha Marie Llorens, Hans Ulrich Obrist Yana Peel, Sable Elyse Smith, Hito Steyerl, Lumi Tan, and Soyoung Yoon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003c\/a\u003ePublished by Koenig Books, 2018. 181 pages. 10 x 7.6 in (\u003ca data-sanitized-data-mce-fragment=\"1\" data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003e26 x 19.5 cm), paperback.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sondra Perry","offers":[{"title":"Default Title","offer_id":45432164090141,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SP_TyphoonComingOn_Book_1.jpg?v=1689442175"},{"product_id":"lineage-for-a-phantom-zone","title":"Lineage for a Phantom Zone - FREE PDF","description":"\u003cp\u003e\u003ca href=\"https:\/\/bridgetdonahue-media-w2.s3-us-west-2.amazonaws.com\/files\/d8Sz_60mQFOE0W8jtVhoyQ.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem\u003e\u003cstrong\u003eCLICK HERE FOR A FREE DOWNLOAD\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication includes the voices of Black writers: pyschotherapist Bola Shonubi; psychiatrist and sci-fi writer Tade Thompson; video artist and arts writer Kareen Reid; science fiction and fantasy writer N.K. Jemisin; and the filmmaker and installation artist Isaac Julien CBE. This book enables readers to engage with research and thinking that informs Lineage for a Phantom Zone. There is also space to document one's own dreams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLineage for a Phantom Zone by Sondra Perry was commissioned by Muse, the Rolls-Royce Art Programme, under its initiative The Dream Commission, in partnership with Serpentine in London and Fondation Beyeler in Basel, and with the support of Bridget Donahue. \u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeveloped by A Vibe Called Tech and designed by Fieldwork Facility. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e80 pages, 7.5 x 4.5 in (19 x 11.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sondra Perry","offers":[{"title":"Default Title","offer_id":45432218353949,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/SP_LineageforaPhantomZone_Book.jpg?v=1689444142"},{"product_id":"the-african-desperate","title":"The African Desperate","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe acerbically funny and intimate screenplay for acclaimed visual artist Martine Syms's debut film, The African Desperate. The African Desperate follows Palace Bryant on one very long day in 2017 that starts with her MFA graduation in upstate New York and ends at a Chicago Blue Line Station. Set against the lush backdrop of late summer, Palace navigates the pitfalls of self-actualization and the fallacies of the art world. Shot through with Syms’s celebrated conceptual grit, humor, social commentary, and vivid visual language, The African Desperate leads us through picturesque landscapes and artists studios, from academic critiques to backseat hookups, and from the night of a wild graduation party to the morning of a lonely trip back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9781643621708 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePaperback, 104 pages, 6 x 8 in. Softcover Publication Date: November 2022. Published by Nightboat Books\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Martine Syms","offers":[{"title":"Default Title","offer_id":45432219762973,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/MS_AfricanDesperate_Book.jpg?v=1689444236"},{"product_id":"most-days","title":"Most Days","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMost Days is a Mundane Afrofuturist sound work released on vinyl by Mixed Media Recordings. The audio consists of a table read of an original screenplay alongside a score composed in collaboration with artist Neal Reinalda. The piece considers what an average day looks like for a young black woman in 2050 Los Angeles. Paul Cowan, S\/T - Cowan's electronic ambient music is created with help of producer Richard Galling, and accompanied by a text to be read throughout the duration of this piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Mixed Media Recordings, New York, NY, 2014 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e12.2 x 12.2 in, edition of 300. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 sound disc : analog, 33 1\/3 rpm\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Martine Syms","offers":[{"title":"Default Title","offer_id":45432269078813,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/0091\/3693\/files\/MS_MostDays_1.jpg?v=1689445336"},{"product_id":"this-cookbook-is-made-for-jesus","title":"This Cookbook is Made for Jesus","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCookbook zine by NY-based artist and designer Susan Cianciolo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by Tiny Person, 2009. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtwork by Susan and Lilac Sky Cianciolo. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeaturing an interview between Cianciolo and Maki Hakui. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 pages, thread-bound. \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Susan Cianciolo","offers":[{"title":"Default Title","offer_id":45666057683229,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}]},{"product_id":"monique-mouton","title":"Monique Mouton","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis catalog features a survey of Mouton's work from select exhibitions including: Inner Chapters, Bridget Donahue, NYC, 2021; 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It features works of art as illustrations and material, and takes its cues from children’s books and medieval bestiaries, whose efforts to order the world precede modern categorizations. Viewed in this light, the museum appears not only as a kind of zoo but also as a trap, and what “captivates” us there also holds us captive in liberal humanist fantasies of freedom and autonomy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdited by Manuela Ammer and Ulrike Müller\u003cbr data-mce-fragment=\"1\"\u003e360 pages, 29,7 × 21 cm, softcover, numerous color illustrations\u003cbr data-mce-fragment=\"1\"\u003eWith a preface by Karola Kraus, an introduction by Manuela Ammer and Ulrike Müller, texts by Fahim Amir, Jack Halberstam, Eva Hayward, Johanna Hedva, Bhanu Kapil, Joni Murphy, Kathryn Scanlan, Kalpana R. 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It was intended to “recycle space” wherever it existed, from the walls of San Quentin prison to the landscapes of Fort Point and even the Bay Area Rapid Transit Artists used mediums not yet accepted by traditional museums and galleries, such as performance, photography, comic drawings, video, soundscapes and all manner of site specific locations (though that term had not been yet invented). It was designed to be temporary. Its structure became the model for Creative Time and PS1, amongst others. Though the archive is in Stanford University’s Special Collections Library, its history was unknown. 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Still a teenager, Knowles went on to write the libretto for Wilson and Philip Glass’ opera \"Einstein on the Beach,\" and his collaborations with Wilson would continue for decades. His practice spans many mediums—text, sound, painting, sculpture and performance—and exhibits a fascination with the materiality of language. In a Word is the most comprehensive look at Knowles’ work to date, published for his exhibition of the same name, organized by Anthony Elms and Hilton Als. Containing an autobiographical text by the artist himself, new texts by Elms and curator Lauren Digiulio and a personal reflection by Als, this is an essential resource on an under-recognized artist. [publisher's note]\u003c\/p\u003e\n\u003cdiv class=\"font-small ica-archive-text\"\u003ePublished by the Institute of Contemporary Art, University of Pennsylvania, Contemporary Art Museum Houston, \u0026amp; Gregory R. 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